Factory 2.0 Revealed: When Andy Warhol Met 3D Printing (Materialise)

June 11, 2013. On the evening of June 10th, Belgian-based Additive Manufacturing (also known as 3D Printing) pioneer Materialise sponsored a ground-breaking event at the Andy Warhol Museum in Pittsburgh, PA.

Marking one of the first times that works by Andy Warhol have been reinterpreted by 3D Printing technologies, the event, (organized to celebrate the opening of the RAPID 2013 Additive Manufacturing Conference & Expo), featured both “Factory 2.0”, a series of Warhol-inspired installations spread about the museum, as well as the five finalists of the “i.materialise Andy Warhol Contest”. The event was a resounding success with hundreds of awestruck visitors seeing firsthand how 3D Printing is changing the way that art is conceived and made.

 

Curated by Murray Moss, Creative Director of Moss Bureau New York, Factory 2.0 showcased two huge, 3D Printed interpretations of Warhol‟s Fright Wigs. Enthusiastic guests lined up to stand beneath them and have their Polaroids taken. In another area of the museum, a second impressive installation, this time by renowned British milliner Stephen Jones and entitled the “Four Continents”, provided a reinterpretation of Warhol‟s piece “Eight Elvises”. For further details about Factory 2.0, its inspiration and installations, please visit: http://www.materialise.com/press/factory_2_0

Wigs” by Murray Moss and “Four continents” by Stephen Jones, all art pieces have been produced on Materialise‟ giant Mammoth stereolithography machines and painted in translucent colours

Organized by Materialise‟s on-line 3D Printing service i.materialise, the i.materialise Andy Warhol Contest challenged designers and artists worldwide to submit 3D printable designs inspired by the pop art movement. Also on display were the works of the five finalists, chosen for their inventiveness and originality. The winner was announced by i.materialise just after the event, on June 11th.

i.materialise Andy Warhol Contest Winner:

 

“Tomato  Paint  Soup”  by  Emanuele Niri

 

Painted Stereolithography, 614 x 289 x 501 mm

Comments by Curator Murray Moss: “Warhol‟s  use  of mass commercialization of food products as a subject for art has since his time, exploded, as this work metaphorically expresses; the potential power  of  a mass brand knows no boundaries and can no longer be „contained‟.”

 

 

 

 

i.materialise Andy Warhol Contest F inalists:

“Speaking into the Microphone” candle holders by Luigi Vaghi  Red piece: 160 x 160 x 138 mm; Blue piece: 201 x 201 x 142 mm;

Yellow piece: 165 x 165 x 144mm

Comments by Curator Murray Moss:

"The artist here creates a 'continuous profile' - this time, that of the infamous Andy Warhol. But in this case, registering the name 'Andy Warhol' with a microphone in a computer, a curve was created which was isolated and then used to generate the 3D printed model. Different people speaking the same two words, 'Andy Warhol', would create different curves, and therefore unique, one-of-a-kind 'profiles'."


“Double Elvis” by Dominik Raskin

Painted Stereolithography, 500 x 500 x 497 mm

 

Comments by Curator Murray Moss:

"Playing with Warhol's obsession with fame, this work imposes a modern sensibility to this classic Pop Art icon, applying today's fashionable 'reductive' approach to art and design and thereby stripping the figure of Elvis of his more recognizable and distinguishing features. This famous 'Elvis', rendered today, could represent anybody brandishing a gun (or in this case, a banana - a concession to today's political correctness, even still in art)."

 

“Cowbox” by Thomas Cornelis

Painted  Stereolithography,  9  boxes  of 286 x 286 x 286 mm

Comments by Curator Murray Moss:

“In the words of the artist: '3D printing is something that Andy would have loved.

In his factory years he mass produced

artworks using his famous silkscreen technique. He tried to eliminate the artist's 'craftsmanship' and 'personality' during the process. I can imagine Warhol's Factory, today, packed with 3- D printers, printing his objects."

 

“Trash Can” by Cathrien Orie

Painted Stereolithography, 27 items of 120 x 120 x 150 mm

Comments by Curator Murray Moss:

"This artist proposes that, like the Campbell soup can of 1962 or the Brillo Box of 1963, today's most celebrated, ubiquitous, mass-produced consumer object might very well be the trash can, born of our waste and overproduction. Composed of 3 elemental shapes: the base, the can, and the lid. If one introduces the possibility of 3 colors in 3D printing this object, it becomes possible to make 27 'different' yet 'mass' items."

For more information, please contact: Vanessa Palsenbarg

Corporate Communications Specialist, Materialise

Phone: +32 16 39 66 37

Fax:    +32 16 39 66 00

Email: Email Contact Twitter: @belgiancanuck or @MaterialiseNV Visit: www.materialise.com/factory-20

 

A b out Murray Moss:

In the April 2012 issue of Metropolis magazine, Jennifer Kabat writes in her feature story,

„Murray‟s Next Act‟, “... Moss is no ordinary mortal, but one who has defined the design decade, who helps to see how we see objects”.

Murray Moss is the founder and creative mind behind the internationally renowned Moss design gallery, established in 1994 and in its 18 year history mounting over 100 highly influential exhibitions, not only at Moss, New York, but also at Design Fairs and Museums around the world. Moss, a former fashion entrepreneur, set out to correct the public‟s here-to-fore 'blanket' criteria for evaluating industrial product design, over time expanding the definition of „good design‟ to more accurately accommodate a nuanced multiplicity of briefs which designers often bring to a project. His agenda was not only to discover those „bonus‟ narrative elements, or 'art content', often embedded in functional works, giving them a duality and fluidity which blurs the customarily rigid distinctions made between Art and Design, but also to invent more effective ways of exposing them to the general public, so that they become not only evident, but valued in their own right.

In February of 2012, partners Murray Moss and Franklin Getchell closed their Greene Street gallery and inaugurated Moss Bureau, a highly experienced and informed design consultancy providing a multiplicity of services to manufacturers, design studios, and architectural firms, as well as offering curatorial and interior design services, and brokering speaking engagements and writing assignments.

Murray Moss is a frequent guest speaker, having lectured at the Neue Galerie, the Smithsonian Cooper- Hewitt National Design Museum, the Cincinnati Art Museum, the Wexner Center for the Arts, Harvard University Graduate School of Design, Cranbrook Academy of Art, Parsons School of Design, the School of Visual Arts, the Wolfsonian-FIU Museum, the San Francisco Museum of Modern Art and the Hammer Museum. In the Fall, Mr. Moss will inaugurate a new course he will teach at New York's School of Visual Arts.

In 2002, Mr. Moss was a Speaker at the TED12 Conference.

Mr. Moss has served on the Boards of the Smithsonian Cooper-Hewitt National Design Museum and the Design Industries Foundation Fighting AIDS (DIFFA), and has been acknowledged through numerous awards in his field, including the 2002 Chrysler Design Award and Russel Wright Award, House Beautiful‟s 2000 Giants of Design Award, and Metropolitan Home‟s 2004 Modernism Award. In 2007 he was inducted into Interior Design Magazine‟s Hall of Fame.


1 | 2  Next Page »



Review Article Be the first to review this article
SolidCAM: Program your CNCs directly inside your existing CAD system.


Featured Video
Editorial
Jeff RoweJeff's MCAD Blogging
by Jeff Rowe
Siemens Goes ECAD With Mentor Graphics Acquisition
Jobs
Mechanical Engineer for IDEX Corporation at West Jordan,, UT
Business Partner Manager for Cityworks - Azteca Systems, LLC at Sandy, UT
Senior Structural Engineer for Design Everest at San Francisco, CA
GIS Analyst II for Air Worldwide at Boston, MA
Upcoming Events
Design & Manufacturing, Feb 7 - 9, 2017 Anaheim Convention Center, Anaheim, CA at Anaheim Convention Center Anaheim CA - Feb 7 - 9, 2017
Innorobo 2017 at Docks de Paris Paris France - May 16 - 18, 2017
Display Week 2017 at Los Angeles Convention Center 1201 S Figueroa St Los Angeles CA - May 21 - 26, 2017



Internet Business Systems © 2016 Internet Business Systems, Inc.
595 Millich Dr., Suite 216, Campbell, CA 95008
+1 (408)-337-6870 — Contact Us, or visit our other sites:
AECCafe - Architectural Design and Engineering EDACafe - Electronic Design Automation GISCafe - Geographical Information Services TechJobsCafe - Technical Jobs and Resumes ShareCG - Share Computer Graphic (CG) Animation, 3D Art and 3D Models
  Privacy Policy Advertise